Decorative patterns derived from nature or from his own imagination. There are 3 main theories to it.
-First, man felt an impulse to enhance the beauty of objects in order to make them appeal to his own strange human sense of orderliness.
-Second, he feared empty spaces because they lack the feeling of stability that wound be provided by some sort of organized principle.
-Third, the first decorations were magical or religious symbols drawn to appeal to the gods and other spirits for protection and happiness.
A look at their furniture, textiles and other everyday objects reveals different meanings of symbols such as wealth, happiness or fertility, etc; constant exposure to those symbols in the decorations that surrounded them must have had a strong influence on their thinking.
The people of old Korea worshiped Heaven, and it was said when a holy sage appeared on earth or passed away a rain of flowers fell from the sky. Flowers were, in a sense, Heaven's representatives on earth, and their use of decorations of building was expression of the Korean heart's admiration and respect for the Celestial Being.
The people of old Korea worshiped Heaven, and it was said when a holy sage appeared on earth or passed away a rain of flowers fell from the sky. Flowers were, in a sense, Heaven's representatives on earth, and their use of decorations of building was expression of the Korean heart's admiration and respect for the Celestial Being.
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